TIPPING THE SCALES

 

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When I was a child living in North London my family did not attend synagogue.  We joined a local Reform one for a while – until my brother became Bar Mitzvah – but then we left; so, I was eight when I stopped attending classes.  Growing up, being Jewish was about what happened at home – on Friday evenings and festival eves – when, instead of going to bed after bath-time, freshly scrubbed, we dressed up for a special meal, and stood around the table, while my mother benched (blessed) and lit the candles.  With the exception of Seder night, that was all we did – no Kiddush or Motzi – but it was enough to feel a deep sense of celebration – and after we ate, my mother would always sing Yiddish and Hebrew songs.  Apart from those evenings my memories of preparing for Pesach, and my mother’s hazel-nut and chocolate ‘kisses’ (as she called them) are particularly vivid.   Even when it came to the ‘High Holy Days’, we never stepped foot in the synagogue.  But I was acutely aware of the approaching ‘New Year’ nevertheless:   In addition to the usual festive meal, my father bought my mother an exceptionally lovely bouquet of flowers, and all of us got something new to wear.

 

It was not until I attended my first Rosh Ha-Shanah services ever in 1984 at Radlett and Bushey Reform Synagogue, at the age of twenty-nine, just before I embarked on my rabbinic studies at Leo Baeck College that I began to discover what the Jewish New Year was all about.  I bought my first skirt-and-jacket suit for the occasion, but what struck me when I entered the vast sports hall where the services were held was that the ark-curtains were white.  By then, I had attended Shabbat services for a while, and not really noticed the ‘colour’ of the ark-curtains – but the white was very striking.  And when the portable ark was opened and I saw the scrolls also dressed in white, I knew that ‘white’ signified something important, and suddenly noticed that a few people were wearing white kippot and white tallitot (prayer-shawls).  When I returned on Kol Nidrey, and saw several people wearing white/cream clothes, and the rabbi – Barbara Borts – dressed in what looked like an elaborate old-fashioned white night-dress,  which I later learnt was called a kittel, I realised I had to find out why.

 

So, I asked people – and got different answers:  Some said they didn’t know; some said white indicated purity; some said white was like a new page, waiting to be written on; some said that white was a sign of death – Yom Kippur is like the last day of our lives – and the wearing of the kittel, the garment in which the dead are traditionally dressed, reinforced this interpretation.   In Joseph Karo’s Shulchan Aruch, first published in 1565, the first code of law to gain authority throughout the Jewish world, we learn that on Yom Kippur it was customary for women to dress in white for synagogue services and for men to wear the kittel as a symbol of purity (Orach Chayyim, 610; 4).  In my view all these explanations can be meaningful as we strive to examine and renew our lives.   May we all find the courage to reflect and make a new beginning.  Shanah Tovah!