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When I was a child living in North
London my family did not attend synagogue.
We joined a local Reform one for a while – until my brother became Bar
Mitzvah – but then we left; so, I was eight when I stopped
attending classes. Growing up,
being Jewish was about what happened at home – on Friday evenings and festival
eves – when, instead of going to bed after bath-time, freshly scrubbed, we
dressed up for a special meal, and stood around the table, while my mother benched
(blessed) and lit the candles. With
the exception of Seder night, that was all we did – no Kiddush
or Motzi – but it was enough to feel a deep sense of celebration –
and after we ate, my mother would always sing Yiddish and Hebrew songs. Apart from those evenings my memories of preparing for Pesach,
and my mother’s hazel-nut and chocolate ‘kisses’ (as she called them) are
particularly vivid. Even when
it came to the ‘High Holy Days’, we never stepped foot in the synagogue.
But I was acutely aware of the approaching ‘New Year’ nevertheless:
In addition to the usual festive meal, my father bought my mother an
exceptionally lovely bouquet of flowers, and all of us got something new to
wear. It was not until I attended my first Rosh
Ha-Shanah services ever in 1984 at Radlett and Bushey Reform Synagogue, at
the age of twenty-nine, just before I embarked on my rabbinic studies at Leo
Baeck College that I began to discover what the Jewish New Year was all about.
I bought my first skirt-and-jacket suit for the occasion, but what struck
me when I entered the vast sports hall where the services were held was that the
ark-curtains were white. By
then, I had attended Shabbat services for a while, and not really noticed
the ‘colour’ of the ark-curtains – but the white was very striking.
And when the portable ark was opened and I saw the scrolls also dressed
in white, I knew that ‘white’ signified something important, and suddenly
noticed that a few people were wearing white kippot and white tallitot
(prayer-shawls). When I returned on
Kol Nidrey, and saw several people wearing white/cream clothes, and the
rabbi – Barbara Borts – dressed in what looked like an elaborate
old-fashioned white night-dress, which
I later learnt was called a kittel, I realised I had to find out why. So, I asked people – and got
different answers: Some said they
didn’t know; some said white indicated purity; some said white was like a new
page, waiting to be written on; some said that white was a sign of death – Yom
Kippur is like the last day of our lives – and the wearing of the kittel,
the garment in which the dead are traditionally dressed, reinforced this
interpretation. In Joseph
Karo’s Shulchan Aruch, first published in 1565, the first code of law
to gain authority throughout the Jewish world, we learn that on Yom Kippur
it was customary for women to dress in white for synagogue services and for men
to wear the kittel as a symbol of purity (Orach Chayyim, 610; 4).
In my view all these explanations can be meaningful as we strive to
examine and renew our lives. May
we all find the courage to reflect and make a new beginning.
Shanah Tovah! |